Thursday, February 13, 2014

What Topics are Underrepresented in YA Literature?

I know my own experiences are singular, and to get a really good idea of what topics should get more attention in stories, I need far more than just myself and my own small reach. Twitter, the ever-expanding water cooler of the world, was a great place for me to learn more about what stories are lacking in the YA world right now.

You can see the entire conversation here or view the compiled tweets in Storify below or at this link, but I wanted to highlight one conversation in particular. It perfectly encapsulated the type of conversation and dialogue I was hoping would spring up from the topic.





Diversity extends far beyond single, well-known issues, and everyone deserves a chance to be represented. Here's a sampling of the many varied responses I got on Twitter. Feel free to continue and add to the discussion!



Wednesday, February 12, 2014

Top Book Bloggers Recommend Their Favorite Unique Books

I'm always on the look for more diverse book recommendation, so for this blog series, I reached out to some book bloggers to tell me about their favorite books that feature something unique. I left the parameters wide open--the only requirement was the books they recommend couldn't be more of the same, but a totally unique story.

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Forbidden by Tabitha Suzuma
Disgusting, shocking, disturbing, unnatural...people might label a book about incest, a book like FORBIDDEN. Lochan and Maya are the oldest of five kids who are practially abandoned by their alcoholic mother. They care for their three siblings like parents would. Neglect, loneliness and other social circumstances lead to feelings between the two that go beyond friendship. Maya and Lochan are brother and sister, but they fall in love.

What I felt when I picked up a copy of FORBIDDEN were curiostiy and slight scepticism. How could an author write a book about a taboo topic like incest and expect me to buy the love story? How could I ever approve of a brother and sister's romantic feelings for each other?

I expected the worst and got one of the most heartfelt books I've read in a while. FORBIDDEN is shocking and intense but in a good way. Tabitha Suzuma made me realize that nobody should be judged by their feelings, because feelings do not always equal society's expectations. There is more than labels like right or wrong to loving a person.

Wanderlove by Kirsten Hubbard
WANDERLOVE is the story of eighteen-year-old Bria who leaves well-known territory and goes on a trip through Central America with two backpackers she only met a few hours ago. I'm one of the biggest fans of travelling, and so far I haven't come across any other YA books that invite the reader to explore such exotic countries and note-worthy cultures like Kirsten Hubbard's WANDERLOVE.

Many hesitate and never go out into the world, do their thing, don't think about the consequences of going right when they could also go left. WANDERLOVE is about being individual, finding the way of living that suits you best and not the expectations of others. It's about living your life like you feel living it in the moment and not regretting the things you did. The message: Don't be afraid of what's ahead of you. And even if people tell you you can't go out there on your own, especially because you are a girl, prove them wrong.



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Fault Line by C. Desir

FAULT LINE is an issue book about sexual assault that features a protagonist named Ben, whose girlfriend is sexually assaulted at a party. What struck me about this story was that it is told from the point of view of Ben, the victim's boyfriend. Men and boys are an essential part of the conversation about sexual assault and it wasn't until I read Fault Line that I realized how much we need more books like this. Men are not always the perpetrators; they are also the boyfriends, fathers, brothers, and support systems for rape victims. They can also be rape victims, themselves. So, when I think about a book that presents a diverse viewpoint, I think of FAULT LINE.








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The Smile by Donna Jo Napoli

YA is full of novels flaunting first loves, young love, and the beauty of it all. But in THE SMILE, we face a different (albeit realistic) perspective—that just because two people love one another, that doesn't mean they are destined to be together. Donna Jo Napoli's fictitious story behind Mona Lisa's smile was beautiful and heartbreaking, two emotions you'll find in pretty much every YA novel, but this story stood out to me from the moment I flipped over the last page. It reevaluates the picture of happiness and love. It shows that happy endings aren't always the type of happy we expect them to be.







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Eon by Alison Goodman

Steph's recommendation:

EON is an epic fantasy series with strong Asian influence, with richly built world building. However, what makes it unique is how it handles gender roles. Eon struggles to fight against her feminine qualities and instead pretends to be a boy so society will be more accepting of her. The novel also features a eunuch and a transgender romance. Did I just blow your mind? Good. Now go read.










Shadows on the Moon by Zoë Marriott

Kat's recommendation

My strong recommendation? SHADOWS ON THE MOON. A beautifully written love story in an epic fantasy setting. It features a Cinderella retelling in a Japanese inspired world with an interracial coupling.










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with special thanks to teen librarin Eden Rassette for providing the recs!


Viral Nation by Shaunta Grimes

A sci-fi adventure set in a near-future post-disease disaster America in which an autistic teen named Clover and her beloved bulldog, Mango, must discover the secrets of time travel and save their City and themselves. Most of the story is set from Clover's point of view, which gives the reader an intimate look on the daily life of someone on the autism spectrum. The world that Clover experiences isn't the same world that the rest of us see, and Grimes brings that difference alive in the first book of the Viral Nation trilogy.








Weather Witch by Shannon Delany 

In an alternative history America political intrigue, magic, slavery, class dif ferences, and female discrimination create a complex and unique fantasy adventure. Diversity is the reason there are conflicts in this story - witches are made slaves, Wildkin are brutally murdered for their strange nature, women are oppressed, dissenting voices are hushed, through violence when necessary.










Winger by Andrew Smith

Winger is a whirlwind boy's drama/adventure featuring bullying, peer pressure, LGBTQ issues, gender discrimination, and so many more topics relevant to teens and the adults in their lives. I recommend Winger to anyone and everyone who will listen for the simple reason that it will broaden their minds to the experiences of teen boys.

Tuesday, February 11, 2014

Why is Diversity Important?

So yesterday, I talked about the importance of not doing the same thing over and over in art, movies, and literature. But I'm no expert. So to answer this question, I turned to some writers whose work I deeply respect and forced them to answer the question Why is diversity important? in as short a paragraph as possible.

Rae Carson
Author of The Girl of Fire and Thorns

"Excluding people from books is a tragedy. It denies them a profound and possibly life-changing gift (like the one I received when I read ARE YOU THERE, GOD? IT'S ME, MARGARET for the first time. Thank you, Judy Blume!). Worse, it sends the clear message that they don't matter enough to be written about. Everyone matters, and everyone deserves to see themselves in the books they read."

Why you should read the book right now:
The Girl of Fire and Thorns is one of my favorite fantasy novels, and one of the reasons for that is because it is so very unique. Most epic fantasies are Northern European based (think Game of Thrones--Westeros isn't England, but it sure seems like it...). But The Girl of Fire and Thorns series has influences of Spain, Southern Europe and Northern Africa in it, and covers a fantasy world that varies from desert to snowy mountains. The heroine of the novel is also no Disney princess, and the elements of religion are so skillfully done that I'm in awe of Rae and an eternal fan of her work.

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Alex London
Author of Proxy


"Stories open up imaginative possibilities. From nationalist myths and religious legends to sci-fi adventures and talking animal fantasies, stories create realities even as they respond to the reality we experience. Diversity in the kinds of stories we read and the kinds of heroes we meet matters because readers and viewers need to see that there is more possibility to the world than just what we know. When every hero looks the same, it does not minimize us. We contain multitudes. When every hero looks the same, it minimizes heroes and stifles stories. Ecosystems need diversity to thrive and imaginations are the most vast and delicate ecosystems around. If we want to flourish, we need diversity."

Why you should read the book right now:
Proxy takes the concept of The Whipping Boy to a whole new sci fi level, in which the poor must pay the debts of the rich on a much larger scale. Unique dystopian world? Check. Not your typical prince-and-princess romance? Check. Characters who aren't caricatures? Double check. Add this one to your TBR pile right now.

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"Categorization feeds prejudice. The most interesting and beautiful people are those we can't categorize, those we have to dig a little deeper to understand. I love obscure historical time periods and characters. They give us an opportunity to experience different cultures, explore diversity, learn from the past and create hope for the future. Diversity is a beautiful, natural resource in an otherwise bankrupt world. We just might have more in common with someone halfway around the world than we do in our own neighborhood. But how will we know if we don't step outside the box? Question. Dig. Discover. Different. Equal. Always!"

Why you should read the books right now:
Ruta Sepetys is an author I keep my eyes on all the time. Mostly because she's pretty and I like her a lot, but also because her books are always, always wonderful. Between Shades of Grey is highly acclaimed, and for good reason: it portrays a story that is often ignored in history and literature, and brings light to a story that needed to be told, that of the atrocities against the Lithuanian people in World War II. Out of the Easy is a complete turn-around--a story of a girl of New Orleans surviving a world of sexism, racism, and classism...in a beautiful coming-of-age story. When I say I want something unique, I mean I want Ruta Sepetys.

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"Why are stories important? Because their narratives reflect fundamental truths about our lives. They entertain us, yes, but at their best they illuminate, teach and redefine us. Stories don't exist outside of societal concerns, they are entirely a part of them: they are the green shoots off of a sturdy limb. So when the stories we validate with attention and praise all happen to grow off of one relatively small branch of a huge, beautiful tree, we are obscuring the reality of the world we all live in. We're actively avoiding the things that stories do uniquely well. Even worse, by denying light to the other branches of this tree, we're making it harder for those stories (the stories of the majority of people in the world!) to survive."

Why you should read the book right now:
I've only just started reading The Summer Prince--based on the very, very high recommendation of City Lights Bookstore in Sylva, NC, and I am so glad I was able to snag (their last) copy! It hits all the right notes: a futuristic world that's not American-based (it's set in a tech-filled Brazil), a reference to a legend not based in Greek mythology (two male leads, Gil and Enki, seem to be named after the Sumerian Gilgamesh and Enkidu, although I've not read enough yet to see how that plays out), and smash-it-out-of-the-ballpark excellent writing.

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"I am a white male. I grew up in an affluent town with few minorities, yet, I never felt like I belonged. As a gay teenager in the 90s, I could blend in with the crowd, but I was never part of it. A UK movie called Beautiful Thing hit US theaters in October of 1996. I dragged my best friend with me to see it. We were alone except for an elderly couple who left in disgust midway through the movie, which was about two gay teens in London coming to terms with their feelings for each other. For the first time in my entire life, I saw myself represented in a movie. I saw people like me. I left the theater feeling a little more hopeful and a little less alone. That movie probably saved my life. That’s why diversity is important. We are gay, straight, transgender, black, white, Asian, female, male, Indian, and Eskimo. We come in all shapes and sizes. We have different strengths, different handicaps, and different beliefs. We are silly and serious and clumsy and confused. And every single one of us deserves to be able to walk into a theater or pick up a book and see themselves represented. Everyone deserves to belong."

Why you should read the books right now:
The thing about Shaun Hutchinson's writing is, his characters feel real. Which means, of course, that they're not perfect. And I'm just so happy about that. Shaun's characters make mistakes, they do stupid things, they don't know exactly what they want...and it's beautiful to read. In The Deathday Letters, Ollie gets the news that he has 24 hours left to live--and he's determined to live it his way, whether it's right or wrong. fml takes a classic 80s-movie concept--the party of the year--and updates it to a more real, modern setting.

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Author of Legend

"Diversity is important because people are not widgets, some Homo sapien v2.0 churned off a factory line. People are diverse, so why aren't their stories? To dismiss diversity is to favor sameness, which is ignorant, lazy, and frankly, boring as hell. And as entertainers, being boring is our death knell."

Why you should read the books right now:
I knew Legend was something special when I heard Marie Lu talk about her inspiration: Les Miserables with a super-strong soldier girl and a parkour-loving hot guy on the run from a corrupt government. And it's set in a dystopian version of LA. Who couldn't love it? It's honestly a lot a fun, but is also really, really smart--which pretty much sums up Marie herself :)





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Author of Sorrow's Knot

"...the miracle of fiction is that writing about people who are in various profound ways Not You is possible. It is possible to imagine your way into another culture.

It’s possible, but you can’t just glue some feathers and blood sacrifice onto ye olde sword and sorcery story and call it Aztec. Real cultural diversity is far more than a matter of just changing the trappings of the tale and the color of people’s skin.

It takes research, and research of a certain kind. You have to research until you can get to the inside of something." (via Diversity in YA, used with permission)

Why you should read the book right now:
I haven't had the pleasure of reading Sorrow's Knot--yet. But check out the GoodReads description: In the world of Sorrow’s Knot, the dead do not rest easy. Every patch of shadow might be home to something hungry and nearly invisible, something deadly. The dead can only be repelled or destroyed with magically knotted cords and yarns. The women who tie these knots are called binders.

Otter is the daughter of Willow, a binder of great power. She’s a proud and privileged girl who takes it for granted that she will be a binder some day herself. But when Willow’s power begins to turn inward and tear her apart, Otter finds herself trapped with a responsibility she’s not ready for, and a power she no longer wants.

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Author of Salvage

"Diversity in literature is important because the real world is diverse. If what we're trying to do with our writing is give an accurate and interesting picture of the world, it doesn't make sense to show that world from only one perspective any more than it makes sense to write a book that completely ignores gravity or the fact that people age. Diversity is a fundamental fact of life."

Why you should read this book right now:
Hahaha, I'm mean--Salvage doesn't come out for a little more than a month. But go ahead and pre-order it, because it's amazing. I had the very great honor of blurbing this book, and it's great. It's an extraordinarily realistic sci fi world, vivid characters, and is decidedly not the same ol', same ol'--you've gotta check this one out.




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"When I think about diversity in literature, I think about honesty and connection. What is literature for, if not to reflect the truth of our existence and connect us with the rest of humanity? The world is such a diverse, complex place, so pop culture's homogeneity strikes me as inaccurate at best and dishonest at worst. It's not reflecting the world we live in. I think of people on the Internet who claim that stories based on European history have to be completely white, because Europe has always been completely white. It's not true. We only think it's true because we've seen so many movies and read so many books that have skewed our vision of reality. Too often, pop culture is whitewashing the world instead of doing what it should, which is reveal the world to us.

"I also read and write in an attempt to find connection with others, but the problem is that we're currently asked to connect almost exclusively with white men. That's why we get kids in elementary school who feel they can't write stories about non-white, non-male heroes. They feel alienated from so many other kinds of people, even people of their own racial or cultural background, because we don't see them on TV, in the movies, or in books very often. By shunning diversity, we're cutting ourselves off from billions of people and the wide range of feelings they experience. We're cutting ourselves off from ourselves. We're making literature small, when it can be so much larger."

Why you should read this book right now:
Hammer of Witches is a title from Tu Books, a publisher that focuses on diversity. And check out the official blurb! Baltasar Infante, a bookmaker’s apprentice living in 1492 Spain, can weasel out of any problem with a good story. But when he awakes one night to find a monster straight out of the stories peering at him through his window, he’s in trouble that even he can’t talk his way out of.

Soon Baltasar is captured by a mysterious arm of the Spanish Inquisition, the Malleus Maleficarum, that demands he reveal the whereabouts of Amir al-Katib, a legendary Moorish sorcerer who can bring myths and the creatures within them to life. Baltasar doesn’t know where the man is—or that he himself has the power to summon genies and golems.

Baltasar must escape, find al-Katib, and defeat a dreadful power that may destroy the world. As Baltasar’s journey takes him into uncharted lands on Columbus’s voyage westward, he learns that stories are more powerful than he once believed them to be—and much more dangerous.

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Author of Tiger's Curse

You know I'm a huge Star Trek fan right? I loved the sci-fi aspect but I also loved that it showed a diverse cast. That someday there might be a world where your ethnic background and the color of your skin didn't matter. That diversity meant not only embracing other humans but then learning to get along with people from other planets like Vulcans, Bajorans, and Klingons. That you can be different, embrace your culture, and still work towards a common goal. Seeing past what's different and finding that common spark, recognizing that we are all a part of the human family and therefore brothers and sisters in this life experience is so important.

Why you should read this book right now:
Tiger's Curse is an amazing adventure that spans the globe as Kelsey follows a tiger--and her heart--across the world. Involving ancient curses, unknown evil, a mysterious plot, this one is for the romantics who want something different. Added bonus? Colleen is one of the nicest people I know.

Monday, February 10, 2014

Variety is the Spice of Life: Of Being Tired of the Same, and Demanding Different

Recently on Twitter, the lovely and smart Kim Welchons posted about the upcoming movie Monuments Men, and it really struck a chord with me.


First, let me say that I'm actually really looking forward to this movie. It's about art, and saving art, and high stakes, and it hits all the right notes with me--I'm totally going to see this movie.

But...when I search "how many WWII movies are there," I'm given an entire Wikipedia page dedicated to the topic, and a list of hundreds of films.

Now, this is obviously a popular topic--and one that I, personally, really like. I am fascinated by WWII, have studied it, it has influenced my writing, and I'm currently planning a trip that will include some WWII sites in it.

But...when I search "how many Boxer Rebellion movies are there," I get a PBS documentary and a 1976 movie in my Google search. There are a lot of wars that didn't involve America, but I bet if you added up all the movies about them, it still wouldn't add up to the number of movies about WWII.

Likewise--and please do not think I'm belittling the topic, simply talking about numbers--there are several films about the Holocaust. Among them are some of my favorite films of all time, and I consider Schindler's List to be a true masterpiece. But there aren't any films at all about the Armenian Genocide. And, aside from Hotel Rwanda, there's little about the Hutu and Tutsi conflict. There's been no film about Darfur, either, or countless other equally atrocious moments in history.

One of the reasons why I'm brining this up is because I used to be a teacher. I tied my unit on the Holocaust to a unit on Darfur specifically because most of my students believed that the Holocaust was a one-time thing. One blip, one moment in history where evil reigned. But that's not true. And ignoring the truth is a huge part of the problem.

Like it or not, our stories--movies, books, songs--influence our reality. After Inglorious Basterds came out, I cannot tell you the number of students who thought it portrayed reality. On the flip side of that coin, consider the number of people who thought Titanic was just a movie, not based on reality at all.

So--while I like the topic of The Monuments Men and plan on seeing it, I also want to see something...different. Something not done over and over and over again.

But it's hard to see that happening any time soon. We are constantly being fed a stream of the typical story. Even when it's something different, it's often framed in a few classic tropes. You can see this in the way we're marketed to--and make no mistake, movie posters are marketing tools. When I do a Google search of simply "movie posters," this is the first page that pops up:


So we have a blue person, two African American men, a bee, a dinosaur, and the rest are white people. Let's ignore the fact that nearly everyone involved in the movies with the blue people, bees, and dinosaurs are white.

Let's also look at setting. We have one movie that takes place on a different planet, one in Scotland, a couple in various locations that move around, and the rest are set in America (with the possible exception of Oblivion, which I've not seen).

I am not saying these movies are bad. Some of my favorite movies are in the posters above. I'm just saying...I'm tired. I'm tired of seeing the same thing over and over and over again.

And it's not just me. As Gizmodo published, lots of movies look, basically, the same.


I'm happy to say that more and more people are seeing this (including myself--I make no claims to have always been an advocate for "different"). When the recent Superman movie was announced in the wake of The Avengers, one of the first cries of protest was: "Why no Wonder Woman? Why no Black Widow?"

A reasonable claim. Here's a list of dozens of superhero movies, all starring a white male superhero. Sure, there are about five that feature female leads, a few with ethnic characters in starring roles (although, typically, as a villain). But there are eleven Batman movies and six Superman movies (with one more currently in production). Wonder Woman--a part of the Justice League and just as popular as Batman and Superman has none. None. Spiderman got a reboot of his entire franchise within a few years, and we haven't had any Wonder Woman movie since ever. Black Widow has an epic past and is an entirely awesome part of the Avengers. And while there are two Thor movies, three Iron Man movies, a few Hulk movies (although not a part of this cast), two Captain America movies (and another in the works), no Hawkeye movies, and no Black Widow movies. So of the Avengers, there are seven movies with the current casts featuring the white boys, and no movies featuring the woman, and no character who's not white.

Let's step away from superheroes for a moment. Let's look at spies--a topic that I really like. James Bond is the epitome of spies. And it shows: there are twenty-three feature films about James Bond. Twenty-three. A fictional character who is the definition of awesome.

And yet...there's also Mata Hari, a real-life person who was way more bad-ass, and she has...wait for it...two films. One in 1931 and one in 1985.

I do not at all want to take away from the movies--and books and other stories--that exist. I like most of the very movies I'm talking about in this post.  It's not about subtraction--I don't want to take them away.

It's about addition. I want more. I demand more. I demand stories that don't take place in America. I demand stories that feature someone other than a white male. I demand stories that show me something I have never seen before, that make me think something I've never thought before, that show me the world is so much bigger than my very, very limited experience.

This week, I'll be featuring authors and readers who feel the same way as I do on this subject. And then throughout the next month, I'll be featuring authors who chose a different setting for their works, who have their eye on developing a story that is, in a word, different.

Further Reading:

Wednesday, February 5, 2014

The Thing That Means the Most...



...has always been my father's pride. This is a commercial for South African scotch, but it hit me right in the feels. The most important reader to me is my father. Reading kissing scenes from YA novels isn't exactly his cup of tea, but I'm so, so, so glad he does it for me. (Found via Mitali Perkins)

Monday, January 27, 2014

Booktalk Nation Interview with Andrea Cremer

I am so excited to about my interview with Andrea on Tuesday! For those of you who don't know, here are the details:

WHEN: Tuesday, January 28th, at 7pm EST
WHO: Me and Andrea Cremer, author of SNAKEROOT
WHERE: Online! Through Booktalk Nation
WHAT: An online interview open to the public, live as it's happening. I'll be interviewing Andrea for the first half, and then we'll open it up to other questions from everyone watching--so YOU can participate in the interview.
ALSO! You can order signed books from both Andrea and I through Booktalk Nation.

Reasons why this is super cool and you should participate:

  • Short of attending a live event, it's often rare to get a chance to see authors in person, not just through the written word.
  • And you get to participate! Half the questions will be from you, the audience. 
  • This really is just like being at a live event. Except you get to stay home and wear sweatpants and pick your nose and NO ONE will know because you're in the comfort of your own home.
  • We're going to be talking about all the nerdy book stuff that I know you LOVE because you're cool like that.
  • I don't promise to behave.
I hope to see you there! And if not, the interview will be available online afterwards. But YOU SHOULD TOTALLY COME HANG OUT ONLINE WITH US YO.

Friday, January 24, 2014

On the Value of a Book, Sunk Costs, and Being Ready to Publish or Trunk

I'm at the point where I figure basically everyone I know knows that I wrote ten trunk novels before getting my eleventh book published. I'm not ashamed of this fact--actually, I think it's important for people to know that often, "overnight successes" are really a decade + an overnight success. But perhaps because I have so many trunk novels, I've been hearing a lot of the same question, couched in different words:

When did you know to quit working on a book?
When do you know when a book is ready?
When do you trunk a novel and move on to the next?

The problem, of course, is that there's no answer to this. It's not like I can say, "invest exactly THIS much time, and you're done!" This isn't true of nearly anything at all. 

Across the Universe was one of the easiest books for me to write, and I got paid exactly the same amount to write it as Shades of Earth, which was the hardest book for me to write. The editing and rewriting phase for Across the Universe took me about five months, but the editing/rewriting for my new book have taken twice as long...so far. Is one book better than the other? Nope. Much like a mother with children, I love them all equally, regardless of the labor time. (Pregnancy pun!)

Perhaps if I invested more time and energy into any of my trunked novels (something my mother would very much like me to do; her favorite of my books is one that's not published), one of those trunked novels would be worth publication. But I have decided that it's not worth my time. For each of those novels, I invested at least a year in writing and critiquing and editing. I treated writing as a job during that time--I basically considered myself to be working two jobs during that time, even though I was only getting paid for one of them. I probably spent around a hundred dollars each for printing costs and a hundred more for postage and mailing materials to send to agents. Several thousand in attending conferences (two of which I attended specifically to pitch my books to agents). Nearly a thousand in paying for critiques from publishing professionals. 

I hate math, but let's add this out:

$100 in printing costs X 10 novels = $1000
$100 in postage costs X 10 novels = $1000
$3500 in attending conferences 
$1000 in paid critiques

10 years x $50,000 (close to the median income of an American citizen) for the time spent working this job = $500,000

For a grand total of: $506,500

I spent more than half a million dollars (in time and materials) on ten trunk novels that have never--and probably will never--sell. 

I recently came across an economics term that sums this all up rather well: sunk costs
In economics and business decision-making, a sunk cost is a retrospective (past) cost that has already been incurred and cannot be recovered. Sunk costs are sometimes contrasted with prospective costs, which are future costs that may be incurred or changed if an action is taken.
In layman's terms, this basically means:

Sunk cost is the amount of money something costs you to do. If you want to bake a cake, your sunk costs is the money spent on the ingredients required to make it. Your prospective costs is what you'll make when you sell it. Hopefully, you gain more than you lose. So if it costs you $5 to bake a cake, and you sell it for $10, you did good. But if it costs $5 and you sell it for $2, then you lost money.

The sunk costs for my trunk novels is: $506,500.
The prospective costs for my trunk novels is: $0.

That's a rough number to face. And I think I should add that despite the fact that I'm more than half a mil in the hole with those numbers, I do not think that it's a waste--they were each learning experiences, and it can absolutely be argued that, much like paying for a higher education, they were investments in my future.

But that's not what this post is about. This post is about how and when I knew that a book's sunk costs were worth exactly so much and no more.

At the end of the day, after I invested time and money into each of my trunk novels, I...trunked them. I put them away. I consciously decided that they were no longer worth any more time or money.

So, when people ask me the questions I wrote out above:

When did you know to quit working on a book?
When do you know when a book is ready?
When do you trunk a novel and move on to the next?

What they're really asking is:

At what point do I accept the sunk costs of a novel as a loss and move on?

Unfortunately, there still isn't an answer. For me, I started out with the idea of giving myself a year a book. I wanted to write YA, and the YA market seemed to have authors releasing a book a year. I figured I should do the same, if I wanted that to be my career. So I started out knowing that one year would be my sunk cost. Not that it was always that neat--it's not like I gave myself exactly from January 1 to December 31 and no more, and it's not like it was easy to move on. But from the start, I did give myself permission to accept the sunk costs and move on, and that was the defining attitude of accepting my trunk novels and the fact they weren't worthy of publication. As I've said many times before: knowing your goal and striving for that without settling for less is hugely important. My goal was a career in writing, not one specific book published.

I do have a word of warning, though:

Do NOT let the sunk costs keep you from moving on. 

Writers are very, very often told not to query too early. Particularly after NaNoWriMo, it becomes almost a mantra on every agent's blog: don't query too early. Take the time to let the novel rest, edit, revise, get crits, edit again, etc., etc., etc. 

But too often, writers are never told not to take too long. Some--not all, but some--writers sink into a spiraling time-suck of rewriting, revising, and tweaking the same novel, over and over and over. I think they start to feel that their sunk costs are too high--they've invested so much time, and so much money into this one novel that they feel they can't move on, they can't let it all be a waste. 

And that's where the danger lies: when you stagnate. 

There are some authors out there that don't know when to let go. You revise and revise and revise and tweak and fiddle and...the book still isn't good enough. But you can't just drop it--you've invested so much into it! 

If you're in this position, you need to evaluate yourself and your work. Are you holding onto the idea of the novel, the beating heart of the story that you love? Or are you holding onto your sunk costs? 

Recently, the husband and I went to a store that sells local art. There was a stick. The stick was painted with sketchy drawings and words. It was...well, it was an ugly stick. I could see what the artist was trying to do, but...it was a stick. With paint on it. The woman who owned the store raved about how long it takes this artist to paint the stick. And the price tag on it reflected that: $300. For a painted stick. For a painted stick that wasn't really painted that well. 

The artist was obviously trying to recoup for sunk costs. She spent so much time making this, and she put a value on the time, not the object. 

This happens with writing, too. We work on an idea so much that it can't possibly be trunked. But every author--published or not--must consider when a novel's purpose was to be published versus when a novel's purpose was for the author to gain experience.

Your work has value. But sometimes the value is in what you learned, not what money you gained. 

Even now, with a few published novels and a new contract under my belt, I still struggle with sunk costs. At what point should I stop trying to make an idea that doesn't work, work? Some of this is about art and integrity--I of course want to make an idea be the right idea, and produce the right work of art to go with it. But some of it is also about economics: no matter what you do, whether it be creating art or baking a cake, you need to be aware of your sunk costs, and be willing to know when you have to cut those losses and move on. 

Cover Reveal & Giveaway for Elana Johnson's ELEVATED!

I am so excited to have a new Elana book! Elana is a dear friend of mine, and her new book, ELEVATED sound wonderful. Read on to the end of this post for a giveaway!

About ELEVATED: The last person seventeen-year-old Eleanor Livingston wants to see on the elevator—let alone get stuck with—is her ex-boyfriend Travis, the guy she's been avoiding for five months. 
Plagued with the belief that when she speaks the truth, bad things happen, Elly hasn’t told Trav anything. Not why she broke up with him and cut off all contact. Not what happened the day her father returned from his deployment to Afghanistan. And certainly not that she misses him and still thinks about him everyday. 
But with nowhere to hide and Travis so close it hurts, Elly’s worried she won’t be able to contain her secrets for long. She’s terrified of finally revealing the truth, because she can’t bear to watch a tragedy befall the boy she still loves.
 Doesn't that sound awesome? Here's my top five E-words to describe how ready I am to read Elana's ELEVATED
  • Elated!
  • Excited!
  • Eager!
  • Ecstatic!
  • Effervescent!
Clearly, I need to read this book, like, yesterday. And just in case you need one more reason to nab this awesome new book, here's the beautiful cover:




Buy Links:
iTunes: coming soon!
Amazon: coming soon!


Praise for ELEVATED:
"ELEVATED will take you on an emotionally gripping journey through the highs and lows of first love."
~Carolee Dean, author of Take Me There and Forget Me Not

"Poignant, raw, and intense, ELEVATED is a novel that will grip your heart and linger in your mind long after you turn the last page."
~Stasia Ward Kehoe, author of Audition and The Sound of Letting Go


About Elana Johnson: Elana Johnson’s work, including Possession, Surrender, Abandon, and Regret, published by Simon Pulse (Simon & Schuster), is available now everywhere books are sold. Her popular ebook, From the Query to the Call, is also available for download, as well as a Possession short story, Resist. School teacher by day, Query Ninja by night, you can find her online at her personal blog or Twitter. She also co-founded the Query Tracker blog, and contributes to the League of Extraordinary Writers.


Social Media Links:
League of Extraordinary Writers: http://leaguewriters.blogspot.com/

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Friday, January 17, 2014

Inspiration Shelf

There's an inset shelf built into my wall by my desk. For far too long, I've simply let it fill up with books--much like every other bookshelf in my house. But I've been thinking about turning it into something a little different, and slowly been gathering supplies. Contact paper for decoration, and--thanks to a generous husband Santa Claus, a few awesome decorations.


Here's my new shelf! Entirely lined with pretty paper. On the top shelf is a copy of each edition of each of my books, and on the left...


My space corner! The Antares rocket was a gift from NASA when I attended the rocket launch last year. And that specific copy of Across the Universe was the one that went up into space!



Lots of people have asked me what happened to that book. It was mounted to a weather balloon and attached to a rig with a camera and a geo-locator. When the balloon popped, the crew found the book and camera thanks to the geo-locator, then Penguin was kind enough to send me the book! At which point I screamed with joy. The first thing I did? Sniff the pages. Mmmm, space pages.


On the second shelf is my Christmas presents this year, on display! I'm so happy to have gotten these. They're from a brilliant UK artist at Vinegar and Brown Paper, and I'd wanted them for ages.


It's hard to read here because of my flash, but in the pink jar is "Creative Juices." (In reality, it's some slightly shimmery body spray, and when I need a bit of inspiration, I can actually use it as perfume!)


Here we have the centerpiece--two ink bottles, one labeled "Stories Yet to be Written," and another labeled "Keep Writing." I have a few calligrapher's pens I plan on placing around them later. And let's not forget "A Drop of Good Luck." Currently filled with plain glitter, but I might mix it with oil or something so it can be more liquidy.


And finally, a vial of "A Shot of Inspiration!" I've filled it with a jar of pigments from Coastal Scents, and it shines a slightly different color in different lights and angles.

Isn't it great?! The light here isn't the best, but in real life, the items really pop. I have them in front of a tray from my grandfather made of butterfly wings. The whole thing just makes me so happy to look at, and reminds to stay inspired.

And if that doesn't work, the shelves below this one help, too. The third shelf holds all my favorite and most inspiring books, and the fourth holds a copy of each foreign edition of my books that I have so far.

What do you think? Overall, I was trying to make a little display to just remind myself of the whimsy and joy of writing, to keep writing, and to remember that I have to refresh my well of creativity every once in awhile. Also, I think it's cool :)


Friday, January 10, 2014

On Being Alone and Not

One of my favorite authors is C.S. Lewis, but there's a quote by him that I just never really understood.

Source
I always thought it was a nice enough quote, but it didn't really make any sense to me. If you pressed me for an explanation, I think I would have said that books give us comfort when we're alone, or something nebulous like that. 

Recently, I stumbled across another quote, this one by Kurt Vonnegut. 

Source
And suddenly I understood what C.S. Lewis meant about not being alone in a very real, visceral way. 

Let me back up a bit. Recently, I've been visiting the confessional website Emotional Baggage Check. The concept behind this site is simple. You can "check baggage," and leave a message about something that's bothering you, whatever emotional baggage you might have. Or you can "carry baggage," and reply to someone else's baggage with an encouraging note and a link to a song. It's all anonymous, so no one knows anyone's names at all. 

After reading message after message from people, I realized two things. One, people have an inherent need to confess--not just sins, but also sorrow. A confession is a release. But the second thing I learned was that most people feel they are alone, at least in some aspect of their lives. Many of the confessions explicitly state that--they feel they have no one else they can tell this secret, so they share it online. You can see a similar experience with the hugely popular Post Secret project.

It is important for people to know that they are not alone. That's what Lewis was saying, and Vonnegut. That's the point of Emotional Baggage and Post Secret. I inadvertently touched on it in my post about representation, but then I was thinking in terms of physical appearance. But it's just as important for people to know that they are not alone in the way they feel, the secrets they keep. The anxiety, the fear, the sorrow--you are not alone in it. If you learn that from a character in a book or a stranger online or a friend or a lover or a chance meeting on the train or a child--the thing to remember is that, simply, you are not alone. 

And that one idea--you are not alone--is a deep truth, and realizing that truth can change everything.

Tuesday, January 7, 2014

Don't Be Afraid of Change

I wrote ten novels over the course of ten years before my eleventh novel sold. Each of the trunked ten novels were fantasy, and they were all written basically the same way: no outlining, but with an idea of the end, followed by minimal editing. All fantasy, all third person past tense.

I think the eleventh novel, Across the Universe, sold mostly because I tried something different—still no outlining, but also no real idea of what the end would be. And this was a science fiction novel, told in alternating first person present points of view. It was different for me, and it became the novel that changed everything.

After writing the sequels to Across the Universe, I realized that I needed another change. My method of writing meant a lot of rewriting, and it was killing my time. I could be more efficient, I knew that, I just wasn’t sure how.

So I read. I don’t really like a lot of writing self-help books, but I did like Blake Snyder’s Save the Cat, and Hague and Vogler’s DVD on the hero’s journey was great. I started to piece together a method that worked for me. For the current book I’m writing, coming in 2015, I still wrote without an outline—but I edited with an outline. I changed the method I wrote, too, using different features in Scrivener I’d previously ignored.

I’m also now writing a totally different book…at the same time as the current one. Different genre, different style, and different method of writing, relying on a notebook rather than a wall chart, and sketching out a bit of an outline as I go.

People would always tell me before that there’s a certain method each writer prefers, and you just have to find the way that works for you. But what no one really told me is that the method changes for the writer with each book—sometimes more than once in a single book. Outlines don’t help with some novels, but work for others. Editing takes different routes. Styles, tones, and tenses change. The writer changes.

Writing isn’t a static activity. It is constantly dynamic, constantly changing, and the best thing you can do is seek out the change rather than fear it. You’re not either an outliner or a pantser—you can be both, simultaneously, or one for one book and another for another.

Writing for the long haul isn’t about writing either/or. It’s about finding the best method for each story.