Tuesday, May 27, 2008

Finally--Some Good News!

OK, so my title makes it sound like the world's depressing (gas hit $4 a gallon in Charlotte today and my sprained ankle still hurts), but there's plenty of good in the world, and this article in Newsweek is just icing on the cake.

Contrary to the depressing proclamations that American teens aren't reading, the surprising truth is they are reading novels in unprecedented numbers. Young-adult fiction (ages 12-18) is enjoying a bona fide boom with sales up more than 25 percent in the past few years, according to a Children's Book Council sales survey. Virtually every major publishing house now has a teen imprint, many bookstores and libraries have created teen reading groups and an infusion of talented new authors has energized the genre.
And as if that's not enough, David Leviathan says that we're living in "the second golden age for young-adult books."

This gives me hope for the future!

Monday, May 26, 2008

Book Review: Rick Riordan's Percy Jackson Series

Since I've spent the past few days with my ankle elevated (as well as my anger--I hate being limited!), I've had little to do other than read or watch TV, and TV got pretty boring pretty fast.

Fortunately for me, I'd just received a big box of books from Scholastic--including the first three books of Rick Riordan's Percy Jackson series!

I'd been holding off on reading this series. I know they're wildly popular and have reached the almost-impossible-to-reach MG/YA boy audience, but they didn't seem that interesting to me. The covers didn't grab my interest, and I had a hard time figuring out how a modern re-telling of Greek gods could be worthwhile. Retellings of fairy tales--I love them--but Greek gods?

Which just goes to show how wrong I can be.

This series is fantastic. I loved them so much, I've read one book a day for the past three days. They made me forget my throbbing ankle. They made me forget lunch. They made me forget to sleep. All I've done is read these books. I didn't want to put them down! You should have seen me hobbling down the hallway, one hand on the wall so I wouldn't fall over, the other holding the book in front of my face.

As a reader, I loved this book. As a writer, I wanted to know why--and how I could emulate that in my own writing.

1. Voice. Agents and editors talk about it all the time. It's something I struggle with, and something I suspect that all authors struggle with. Here's my conclusion: When I read these books, it wasn't just some random person telling me a story. It was the hero, Percy Jackson, telling me the story. Everything--from description to dialogue--was in his unique voice. He could write an essay on Steinbeck, and I could still tell it was his voice.

2. Layers. This book had a great story in and of itself. However, if you knew something about Greek mythology (and as a world lit teacher, I credit myself with knowing quite a bit) it added a whole new layer of fun to the book. If you didn't know all the backstory about the Greek gods, the story was still fun and nothing was really taken away (it wouldn't be confusing for someone not familiar with mythology)...but if you did know it, there was some laugh-out-loud moments.

3. Genre. I have long believed that the best kind of books are the ones that can make you laugh and cry. An adventure story doesn't need to be--and shouldn't be--all adventure. Through in something to make the reader laugh, through in a taste of comedy. Mixing things up keeps it real--and interesting.

Thursday, May 22, 2008

ARGH!

I've sprained my ankle. After the flu, and finals, and now this....ARGH! How am I supposed to do what I want, write, when I've got to worry about elevating my stupid ankle and get an ankle brace!

Tuesday, May 20, 2008

Don't Be a Nitwit

I'm from the School of Snark.

A year ago, the best thing to ever happen for struggling writers ended when Miss Snark put up her pointy high-heeled shoes and retired from the blogosphere. Still today, I wish there was a Snark Badge or Code Word or something to let editors and agents know that my skin has been thickened with gin and bites from Killer Yap. A year later (has it only been a year?!), I still know her website by heart.

The official tribute is here. I say, the real tribute is here, in the archives.

Long Live the Silent Snark.

A Sign of Changing Times

I began re-reading Doomsday Book by Connie Willis last night. Willis writes with a wonderful blend of science fiction, fantasy, and Jodi-Picoult-esque mystery. Doomsday Book was the first book of hers that I read, back in the days when I was in junior high and couldn't afford books, so I'd sign up for book clubs under different names just to get the "8 Free Copies!" for joining.

I digress. I've loved the Doomsday Book for a long time, but I loved it in the same way I love King Lear, not the way I love The Hero and the Crown. Let me explain. I read King Lear once, knew I loved it, and loved it so deeply I never had to read it again. The love was in me, and it remained in me, and every time I look on that bookshelf, I always remember that love for the book and don't need to pick it up and re-read it. A lot of the classics and more epic fantasy books are like that for me. On the other hand, there are some books, like The Hero and the Crown that I can read over and over again and never have my fill. I read The Hero and the Crown almost every year on my birthday. When I finished the third Harry Potter book, I flipped to the front and started again. It's like the difference between fine chocolate and cheap chocolate. I can savor a single Swiss truffle, or I can gorge on a pound of Easter candy.

So I hadn't read Doomsday Book since I bought it, which might have been a decade or more ago. I still know the plot: a girl from the future is sent to the Middle Ages, witnesses the Black Plague, and has trouble getting safely back. Meanwhile, in the modern world, a whole new kind of plague has broken out.

Here's the thing. The "future" of the book is the year 2054, which seems a lot closer this side of the millenium. And within the first 50 or so pages, the sub-plot of the modern plague is just starting, and the main character keeps going around trying to find phones so he can call people. It was so disjarring I had to stop reading. When I first read the book, I didn't own a cell phone, had never seen one outside of TV. Now, my high school students all have cell phone and there's lot of technology indicating that cell phones will continue to grow. But here in this 2054 world where time travel is real, cell phones aren't.

To me, it's a sign of how difficult it is to write in sci-fi. You can imagine the future the way you want to, but there will be elements of it--simple elements, like cell phones or iPods or DVD players--that are impossible to predict. When I create a world for one of my fantasy books, I have the luxury of making my own rules. Part of sci-fi is prophetic: given the world now, how can it be in the future? It takes thought, and good thought makes a better book. In Joss Wheedon's Firefly and Serenity worlds, the characters speak a combination of Chinese and English because at the apolcalypse of Earth when the people of the world flew off to different planets to live, those were the superpowers. That's taking today's real life--China and America being so powerful--to a possible future--Chinese and English merging into one accepted language. Now it seems innovative and clever...fifty years from now, China and/or America could fall from power and it will seem laughable. Or, more likely, there will be some new form of technology that will make the whole premise laughable. Maybe Al Gore will save the world of carbon dioxide emissions, world peace will be found, and we'll be living happily ever after on a perfect planet that will never be broken apart.

Who knows? All I'm saying is, enjoy your sci-fi now, while the possibilities presented in it are still possible.

Another Contest

Just your friendly contest announcer, adding that Nathan Bransford is doing a dialogue contest on his blog.

Sunday, May 18, 2008

Pitching

For the pitch contest I mentioned earlier, here are some ideas for pitches:

For Babbletongue: Mina's not an ordinary teenage girl, but she finds out how un-ordinary she really is when she learns she has hidden magic...magic that might be enough to save the universe from an evil megalomaniac, but won't be enough to save the person she loves most.


For The Red Thread: When Chloe finds herself on another world, she realizes that the hardest thing won't be finding a way home...it will be convincing her brother to come back home with her.

What are your ideas for pitches?