Wednesday, September 3, 2014

The Introvert's Guide to Selling Books at a Con

Last week, I attended DragonCon, a huge convention with over 60,000 people in attendance. It was full of exactly the kind of people who I know (I hope!) would like my book--this is my audience, and my challenge this weekend was to find the most effective ways to reach them.

Now, to a lot of people, I seem like an extrovert. I'm not that shy, and I'm okay in front of audiences. But I'm actually very introverted. My friend Andrea Cremer summed it up perfectly: an extrovert gets energy from being around other people; an introvert recharges by being alone. And in those terms, I'm extraordinarily introverted. I can be in a crowd or in front of audiences, but it drains me. Being social is as draining for me as working out. Even being on Skype--this is why I limit the number of events and I do. Doing an event for an hour takes me all day to hype myself up and then to recover after. In very stressful, very big events, I will often just sit in silence in a room by myself to recover.

So DragonCon, packed to the brim with people, is like an Iron Man Triathlon to me.

As a fan, DragonCon was just solid fun. Seeing panels that were hugely interesting, people watching the cosplay, geeking out over fun things. As an introverted author who wanted to promo and maybe even sell her books, it was a bit more complicated.

Here's how I tackled the weekend not as a fan, but as an introverted author.

  • Be organized. Get your schedule and study it. Figure out where you have on time and where you have down time, and make sure you have the down time you need. And when you can't get downtime, come up with a plan. Don't have time to go back to your hotel room? Go to the green room, ask for a quiet room, or even just locate the nearest bathroom to catch five minutes alone. 
  • Get help. This was the biggest boon for me. I drafted my husband to be my helper for the weekend. He was in charge of the details: handing out the promo stuff while I started my panels, carting books around, taking care of the money during sales. It also enabled me to make him the salesperson and me the author, which reduced my stress considerably.
  • Use social media at live events. It's so simple, but so easy to forget. Here's how I approached social media in terms of DragonCon:
    • A few weeks before the con: tweeted and tumbld that I'd be there. The schedule wasn't final yet, but I wanted people to know I'd be there. I also let people know I'd be signing and selling books. 
    • The week of the con: tumbld and tweeted my schedule, and posted my schedule on the blog. I also made sure to keep my schedule as the top post on my blog throughout the event. 
    • Fifteen minutes before a panel or signing: tweeted, using the hashtag, about the event, and saying that I hoped to see people there. 
    • During my signing, I tweeted fifteen minutes or so before, and then I tweeted every fifteen minutes during the signing to tell people about it. I followed the rule of four--it was an hour long event, so I tweeted at every quarter. I obviously didn't tweet when readers were around--I tweeted at the lulls, when the table was empty.
    • Remember: don't harass your social media followers, especially the ones not there. Tell the people about your stuff, but don't go overboard.
  • Make your stuff do the talking so you don't have to. This was my biggest take-away from the event. Before panels, I asked the husband to pass out cards that had my book info and newsletter subscription on it. Everyone got the stuff, so I know they had my book info and I didn't feel the pressure to talk so much about it--my cards did my talking for me. And during the big signing I designed my table so passers-by could see what I was about without me having to leave the table and do a hard sell, and I used social media to call others over. 
I know some people are really in favor of what I call the "car salesman approach." They stand up at their table, they literally pull people over and pitch their books. They're charismatic and they draw people in and they sell their books with everything they have. At RT two years ago, I sat next to a person who did this, and I saw him sell a dozen books this way. It works. But it doesn't work for me. I can't do that. I can't be that person. 

But after two signings at DragonCon with only about ten people--or less!--showing up, I knew I had to try something different. 

And that's where my table design came in. 


This is what the table looks like when you get there. Just a table, a water pitcher, and two chairs. And for the past two years at Dragon Con, I left it like that. The only thing I added was a single copy of my book, propped up for display, and a Sharpie. And, to be honest, when I looked around me at DragonCon this year, the other authors were doing the exact same thing.

This year, I added more things:


And this year, by no coincidence, I also sold around 40 books. Here's a list:
  • Sign in the front of the table. It is a braggy sign--I have the NY Times list, a Kirkus Star, and a pull quote. And it labels me as author--sometimes people don't always realize the person sitting behind the books is actually the author. I made it colorful and chatty (using a template from Staples), and the poster is laminated and reusable. People are curious about what you're doing at the table, but they also know that if they approach to find out, they might be pulled into a hard sales pitch they're not interested in. So I made the sign to tell them who I am and what I have to offer, so they can walk on by if they're not interested. And I know for a fact that the sign sold at least two books--two strangers walked by, saw the sign, and stopped because it was interesting to them.
  •  Book display set up. It's hard to see in this picture, but I actually have stacks of books behind each of the AtU books, and anyone walking by could see I had stock. The husband sat in the chair beside me, behind the books, with a bag of change and a card reader, so there was no doubt that books were on sale. Most people didn't bring their own books to sign; having the stock there and readily available (and visible) signaled to people that it was available.
  • Freebies that I was very free with. I had post cards, pin buttons, and more sitting on the table, and one of the first things I said to anyone who approached was to take something for free. People are interested in free. It gives them something to talk about, something to have in their hands, and it takes the pressure off me to be the salesman. The husband handled the money and sold the books--I gave out the free stuff. 
  • Sign up forms. I used two: one for pre-orders of my new book, and one for sign ups to my newsletter. Even if people didn't want to buy things, they could stay up to date on future things, and several people took this opportunity. 
  • Listen. I put the table on the offensive--it did my introductions for me. Which let me be in the position where I could bypass my introduction and listen to my readers as they approached. It gave them the chance to set the stage for our conversation. It gave them the opportunity to talk first, which let me listen. Introverts are much better at listening than talking, and as a writer, I would much rather listen to my readers than talk at them.
I've had a similar table set-up at the RT Convention, and I do feel that doing something like this, where your table can do the selling and talking for you, is the perfect solution for the introvert. What about you? What ideas do you have to help introverts reach readers?

Tuesday, September 2, 2014

DragonCon: Doing it Right

WHEW. Well, despite being a touch under the weather (and thus not being able to hang out with people nearly as much as I wanted to), I survived DragonCon 2014, and it was AMAZING!

I'm going to be doing a separate post later about the advantages of doing DragonCon as an author (namely: book exposure and book sales) and some of what I've learned in the past. I'm still something of a newb; I've been three years in a row, but am still learning all the time from the true veterans who have DragonCon down to a science.

A science of FUN, I mean--DC isn't all work and no play! It's a lot of fun, full of amazing people and amazing cosplay and amazing stuff. But today I want to talk about a few serious points that really should be mentioned.

Here's some of what DragonCon did exceptionally well:

  • DCTV: DragonCon TV. In all the host hotels, there's a station called DCTV that plays panels and highlights from the con. Interspersed between shows are fun parody commercials, cute skits, music, and "bumps"--funny anecdotes similar to what's on Adult Swim on Cartoon Network. This year, I noticed two important commercials: one warning people that service animals are workers and you should treat people with service animals with respect, and two separate commercials about how cosplay is not consent. Good on you, DCTV, for making sure that your audience is reminded of these important facts. 
  • And speaking of consent, another good point for DragonCon: an established system to handle pervs. There were over 60,000 people at this year's con, and of course some of them were douche canoes. My husband noticed one guy hanging around at the top of a staircase, using his iPad to sneak down-the-shirt shots of girls. We went straight to a DragonCon volunteer and reported him. In seconds, she handled the situation like a pro. It was clear that (a) the staff and volunteers were trained to handle such a situation, (b) there was a system in place that they were all aware of, and (c) that behavior was not going to be tolerated. 
  • It's worth mentioning that this is no new thing--DragonCon is huge, but takes the safety of its attendees seriously. When I casually mentioned that a drunk guy was behaving inappropriately to a friend and me last year, DragonCon staff bent over backwards to help me (although we got rid of him ourselves by the time I mentioned it). 

This all makes it sound like there's a huge issue with creepers or something, which is not at all my intent--I just think that there's been a lot of flack in the past for Cons that didn't handle this sort of situation correctly, and I want to point out that DragonCon did. You can't control bad people from doing bad things, but you can control how you attempt to prevent it and how you respond when it happens, and DragonCon is clearly working to the good on that.

Tomorrow: a fun post!

Thursday, August 28, 2014

My @DragonCon Schedule!

Come see me during DragonCon! I shall attempt to be amusing, and my husband shall attempt to sell you one of my books, and I shall sign them with flourish, much like Gilderoy Lockhart.

Seriously, though, these panels all look amazing. Don't make me hangout at my signing tables by myself. And I will bribe you with cool swag to be my friend.

FRIDAY, AUGUST 29
4:30 PM
Location tbd
SFWA Signing Table: hang out with me and get shizz signed

5:30 PM
Hyatt Hanover CE
Morally Ambiguous Characters of the Potterverse

Snape, Draco, Dumbledore, Percy, Xenophilius Lovegood…who’s your favorite (and least favorite) morally ambiguous character in Harry Potter?

Panelists: Susan Fichtelberg, Beth Revis, L. M. Davis, Meagan Spooner, Alexa Donne, Mel Pichetto, Jenn Clack

SATURDAY, AUGUST 30
11:30 AM
Marriott A707
Writing Smart YA Sci Fi- Getting the Science Right!

Clones, viral outbreaks, spaceships, time travel… putting the “science” in science-fiction.

Panelists: Jonathan Maberry, Beth Revis, Kat Zhang, Meagan Spooner, Liz Lee Heinecke

SUNDAY, AUGUST 31
2:30 PM
International Hall South - Marriott
Signing Session with Author Beth Revis

Tuesday, August 26, 2014

The Most Important Partnership an Author Can Make

Writing is a lonely gig. It's very internal by nature; we spend all our time working inside our own heads. But while writing is lonely by very definition, publishing is not.

I always knew it took a village to make a book: editors, publishers, marketing, and so much more. But now that I'm self publishing a project, I thought it would be a little different. I still hired an editor and a book cover designer and formatter and I'm working with others to market, but it's a far different process.

Fortunately, there's one thing that stayed the same.

My agent.

An agent is among the very most important working relationships that an author can have. Writing is solitary, but the business side of writing doesn't have to be.

I'm still with my publisher, Razorbill Books, and my editor, who I worked with throughout the entire Across the Universe trilogy. I'm currently wrapping up a first draft of a novel I'll be sending to her. But I'm self publishing The Body Electric. Two extraordinarily different processes and projects. But the thing that's stayed the same?

My agent.

Having an agent--having the right agent--is one of the most important things an author can do. Self pub, tradition pub--it doesn't matter. An agent will help you to make these decisions, guide you to the path right for your career. An agent is a business partner whose sole concern is to make sure you make the right business decisions. And more than that--an agent (at at least my agent) is my friend.

There are a lot of things up in the air about publishing these days. There are a lot of paths. Don't leave without your guide.

My agent, Merrilee Heifetz of Writers House, is one of the best in the business, and I know with absolute, 100% certainty, that I would have never had any success at all without her help.

Self publication implies "self." Alone. Solitary. But the success of The Body Electric has been anything but.

Tuesday, August 12, 2014

Winner of the Setting Contest!

Picture by Mariamichelle, used under Creative Commons. Link

Thank you so much to everyone who entered my contest to guess the location of the setting of The Body Electric! The response was awesome and it was so cool to see you guesses--especially as so many of you were correct!

Without further ado, the correct location of the setting for The Body Electric is...

MALTA!!!!

For the purposes of the contest, I accepted Malta, Gozo, or any Maltese/Gozan city--as long as you were anywhere on the map above, I counted it as an entry :) 

So, from all the winning guesses, the winning entry is...

EVILLARS20! 

I've contacted the winner directly--and if you didn't win, stick around. I'll have another contest up soon!

Thanks again for playing, everyone!

Tuesday, August 5, 2014

Guess the Setting and Win!


I've been hinting at this rather a lot, but The Body Electric does not take place in America...in fact, it takes place in a part of the world that is rarely written about. And if you figure out the location, you could win a signed, limited edition copy of the book before it's released!

All you have to do is guess the location. I've been leaving lots of clues. 

And, I have a collection of pics for you to take your guesses from. I happened to visit this country when I was in college, and all of these pics were taken by my little non-digital camera before the trip.




 






And here's one of the best pictures of me ever in the world. This is me, standing next to a knight in shining armor...in a brown velvet mock turtleneck. Man, I knew how to dress.


Once you know what country the story takes place in--or have a pretty good guess--ENTER HERE or by the form below for a chance to win a signed, limited edition of the novel. Only 350 copies of this limited edition will be made, and one person who enters here will get one--early.

Tweeting, Facebooking, Tumblring and otherwise sharing the contest and/or subscribing to my newsletter gets you extra entries! I may have to make up an additional prize for whoever best mocks that mock turtleneck. I mean honestly.

Saturday, July 5, 2014

Announcing: A New Book!

Subscribers to my newsletter were the first to hear: I've got a new book coming!

And the good news is that it's coming out sooner rather than later. This is a book I wrote between contracted books, and it's going to be self-published. I don't know exactly when it'll be on sale, but it'll be before the end of the year. There will be both print and e-editions available.

This book came from a lot of things I love, and a lot of questions. What makes people, people? Where does one draw the line of humanity? And...what was happening on Earth while Amy and Elder were space?

And that's where THE BODY ELECTRIC came from. Here's what the story's about:

Blade Runner meets Total Recall in this exciting new sci fi adventure!

Ella Shepherd can slip into other people’s minds. Using technology invented by her parents, Ella has the ability to experience–and influence–the memories of others. She’s used this ability to help ensure the safety of the world from a dangerous terrorist group, but not all is as it seems…because someone’s been inside Ella’s head, too.

Want to meet Ella and Jack, the two main characters?



Remember the brilliant illustrations of Amy and Elder that Christine Tyler did for me? She also did two more--one for each of the characters in the new book.

I'll be revealing the full illustrations soon...when I debut my brand-new website. Just as with the illustrations of Amy and Elder, there are a TON of clues hidden in the images about the story and the characters. And personally? Ella's my favorite illustration of the whole bunch. Just you wait until you see the way they look in a larger format!


Five Fun Facts about The Body Electric

  • It does not take place in America.
  • Ella Shepherd's name comes from the title of my favorite Philip K. Dick (and her father's name is Philip in homage to him).
  • Amy and Elder are not in this book, but if you look closely, you'll see some hints of their story.
  • Jack was named after Captain Jack Harkness on Doctor Who.
  • This book is a stand-alone--there are no sequels or cliffhangers. You'll get the whole story in this book.

Monday, June 30, 2014

Win 6 Signed Books! Newsletter Giveaway

Eep! I'm running late in publishing my newsletter, which usually comes out on the first of every month. So, to apologize for being late and to encourage new people to sign up, I'm holding a quick, 48-hour giveaway!

A little about the newsletter: It's not spam! It contains links to fun articles across the internet on science, art, and more, plus upcoming news, book news, etc. Things tend to get revealed first in the newsletter. Sign up here!

Prize: SIX SIGNED BOOKS--OPEN INTERNATIONALLY!
To enter: Just sign up for my newsletter--by July 2 at 11:50pm. One subscriber of the newsletter will get all six books, signed by the author, shipped straight to their door. Simple as that!




 

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If you're under 18, please make sure that you have parental permission to sign up for the newsletter. If you can't sign up for the newsletter, contact me for an alternate entry.

*Keen-eyed observers will notice that this is the same prize pack I used for a recent giveaway. After trying to contact three different winners over nearly two months, I decided to just roll over the prize into a new giveaway, per my already established giveaway policy. 

Saturday, June 21, 2014

Upcoming Events! Summer Edition

I have four events all scheduled in the near-ish future, and I hope I can see you at at least one!



Who: Me, Megan Shepherd, Jessica Khoury, and Meagan Spooner
What: Panel and Book Signing
Where: Highland Books in Brevard, NC
When: JUNE 28 at 1pm
More info: Here

I am so stoked about this one--I love any excuse to go even further into the mountain of NC, and this bookstore seems absolutely charming and amazing. Also? My fellow panelists are charming and amazing, and I can't wait talk about books and writing with them!




Who: Me, Jessica Khoury, Meagan Spooner, and Alexa Duncan
What: "Spark a Reaction--the Spark Behind the Story" YA book talk panel for the Cleveland County Library System's summer reading program
Where: Don Gibson Theatre in Shelby, NC
When: JULY 24 at 2pm
More info: Here

I am so happy to return to the county library system where I used to work as a school teacher. We're going to be a part of the summer reading program to talk to kids about reading, writing, and so much more! The event is open to everyone, so please come by!




Who: Me, Ann Aguirre, Alexa Duncan, Meagan Spooner
What: Mortal Danger Book Launch & Tour Stop
Where: Malaprops in Asheville, NC
When: AUGUST 5 at 7pm
More info: About the tour; about this event

GUYS. GUYS. Have you seen Ann's latest book, Mortal Danger? IT LOOKS SO GOOD GUYS. I can't wait to read it--and luckily for me, her very first stop in her book tour is on her launch day, at Malaprops! 

You can read more about Mortal Danger here, but it's a book about revenge, devil's deals, beautiful people, a private academy, bullies, and trust. 


Who: Me, Jessica Brody, Jessica Khoury, Megan Shepherd
What: Girls Gone Sci Fi Tour Stop
Where: Fiction Addiction in Greenville, SC
When: AUGUST 7 at 7pm
More info: Here

If you've never been to a Girls Gone Sci Fi stop, you absolutely must check it out. These girls have organized the perfect formula for fun events, with games, prizes, hilarious stories and q&a. This promises to be a lot of fun, and Greenville is a beautiful city with an idyllic downtown, so make sure you stop by!

Monday, June 16, 2014

The Hate is Boring, and the Same, and Let's Stop Listening to It

A little while ago, someone published an article basically saying that YA was for kids and adults who read YA were idiots. You don't need to read the article; I don't need to link it. You've seen at least a half dozen more like them if you've been in the YA world at all.

They're all the same. They have different trappings, and whatever most popular book is on the market is the one that's discussed, but, the articles are all the same.

Ultimately, this is what every single one of those articles is saying:

I don't like the popular thing, therefore the people who do like the popular thing are wrong.


This particular article was anti-YA, and if you look in the history of the rise of YA, you'll see these articles have happened since the the first popular YA books, and with every single subsequent one.

Do you see the pattern?

Every time a YA book hits big, some pretentious ass-hat takes it upon himself (or herself) to say that people who like YA are weird and wrong.

They dress it up in different language, but the fact of the matter remains: all it takes is one big hit for the haters to come out. And every single argument incorporates the same basic logic:

I don't like the popular thing THEREFORE the popular thing is wrong THEREFORE anyone who likes the popular thing is wrong.

Ironic, isn't it, that the very people slamming adults for liking "books written for kids" have the most basic, childish logic behind their arguments.

Now, I've just given examples based on the YA genre, but this is true of every genre that hits popularity. The critics all have the same arguments, and they're weak:

They all sum up to the same thing: some people believe that genre fiction isn't literary and therefore isn't worth...well, anything. As this NY Times article sums it up, "For the longest time, there was little ambiguity between literary fiction and genre fiction: one was good for you, one simply tasted good. "

And now, I suppose, that ambiguity is fading. Because more and more people are telling these ass-hats that they're full of it. More and more people are pointing out that telling someone that the thing they like isn't as good as the thing this other person likes is a really dick thing to say. 

In the end, the genre-hate is just another form of prejudice. Most of these critics are not fans of genre, and many even confess to not having read the book they're hating on.


There's another sort of hate and prejudice being applied here, too. Is it really a coincidence that the romance that's considered too literary to be romance is written by a white dude? That the fantasy that people have begun calling literature instead of fantasy is...written by a white dude? That the most recent article hating on YA does call out the most recently popular YA author--a white dude--and then quickly gives him the biggest insult the author of the article could think of, by comparing him to the popular work of a female author.

All those links I gave you above to the female YA authors who were criticized for being popular? Nearly every single one mentions the female author's appearance (including age or physical attractiveness) or makes a point to say that the romance is predominant in part because of the gender of the author. It should be noted that, with this freshest round of YA-hate directed at a male YA author, his appearance has not been mentioned in a negative way, and the romance is heralded rather than being decried.

Consider for a moment the most maligned genre in the business: romance. These books, more than any other genre, tend to be dismissed. And these books, more than any other genre, tend to be written by women.

There will always be cockalorums who think their opinion is more important, who think that because they don't like a thing no one should, who want to make you feel bad about liking something.

Call bullshit on them. All these articles are is nothing more than someone looking down their nose at you. Don't put up with that. Think for yourself. Know what you like, and don't let someone else's prejudices get in the way of that.

At this point, those sorts of articles are just clickbait. And the people who write those sorts of articles are just turd sandwiches.

Saturday, June 14, 2014

Representation Matters, Part 2

I thought I had said what I needed to say about representation in fiction in my first post on the subject last year.

But I realized today that there's something else that needs to be said. Or, rather, that I need to say. Because when I was writing about representation before, I was writing about it from the point of view of the minority. We want to see ourselves within the text in some way, we want to know that we are not alone, even in a fictional world.

But as a white, straight person, there's another way that representation matters, and it has nothing to do with what I already am, and everything to do with what I could become.

First, an example. Schindler's List is a masterpiece of a movie, but one of the most striking images in the whole film has nothing to do with the big stars. It's the scene with the little girl in the red coat.



In this scene, Schindler, a well-off non-Jewish German, sees the liquidation of a Jewish ghetto by the Nazis. The movie is almost entirely in black and white, but this scene features a little girl in a red coat, hiding during the horrific chaos around her.

When I was a teacher, I often showed my students this movie in conjunction with Elie Wiesel's Night. And this was the scene we always talked about.

"Why is that one little girl in red?" a student would always say.

And the answer is surprisingly simple. In the scene, you see so much terror and cruelty. But our brain has an enormously difficult time processing something as huge as mass murder. We can understand it on a theoretical level, but we don't truly get it. We cannot comprehend what the loss is, we cannot process the magnitude of it all.

But we can sympathize with one little girl.

Representation matters because it puts a face to the world. It reminds us of the humanity of the "other," and it reminds us of our own humanity as well.

Growing up, I lived in a bubble of a community. All of my friends--in fact, everyone I personally knew, friend or not--were white, like me. They were all Christian. They were all (as far as I knew at the time) straight. Anything that was different was--not reviled so much as mocked. Stereotypes were extraordinarily common--not just for "the other," but for myself as well. People were defined by the boxes they existed in, and if they didn't fit into the box, they were "other," and strange and...

...and not quite human. Not in the eyes of my community.

If you had asked me, as a young teenager growing up in this limited community, if a black person or a gay person or someone "other" than me was human, I would, of course, had said yes. I knew on a conscious level that people were people, obviously.

But at the same time, I didn't understand. I didn't know anyone personally who was a different color, a different religion, or a different gender/sexuality type from me. And because I didn't know anyone different, I didn't really think of them as people. They were the faceless masses, the ones I knew were real but couldn't comprehend. It was far from me, removed, and easy for me to not care.

But it was in literature where I started to change.


I cannot remember the first time I became aware that the world was not a mirror of my self, but I think it may have started with the brilliant poet, the late Maya Angelou. While I knew the facts of the civil rights movement and racism, I understood--at least a little--the emotion behind it through reading her works. 

Their Eyes Were Watching God was another key book for me, and The Color Purple, and Haroun and the Sea of Stories, and the works of Langston Hughes, and Gabriel Garcia Marquez, and so many more. Books I never would have picked up on my own, books my teachers assigned or cajoled me into reading.

Books that changed the way I looked at people.

Books that helped me to see the humanity in people I did not know and was not like.

Books that reminded me how easy it was to forget my own humanity.

When I entered college, I had become a little more aware of how limited my upbringing was, how little I truly understood. Socrates said that, "I only know that I know nothing," and he meant that if you want to be truly wise, you have to first understand that impossibility of understanding everything. As a slightly older teenager moving to a large city two-hundred miles from my home and everything--and everyone--I had known, I was only really smart enough to know that I didn't really know a lot. I had gained enough perspective to realize the flaws in my prejudices, and to attempt to change myself, but I was still floundering.

Travel helped. Living in a city with more diversity helped. Getting to know people as people helped. Defining people not by how they were different from me, but how they were similar to me as well as different, helped.

But, as before, one of the biggest agents of change for me was in fiction.

In fiction, you can get to know characters on a different level as you know people. You see them as they are, you're privy to their thoughts, to their feelings. You understand more, and you can't fall back on your assumptions, because the truth of the matter is there before you in black and white.

It is often within the pages of a book, or the images on a screen, or the characters in a play--it is often, in short, through art that we see our own humanity, and how it has failed us. That we see the humanity of others, and how it has only been the fault in our own eyes and hearts that prevented us from seeing it before.

Understanding characters helps us to understand people. Discovering the individuals--like the little girl in the red coat--helps us to see the humanity beyond the people like us.

Representation matters not just because we have an inherit need to know we are not alone, that others look and feel and think like us--but because we also have an inherit need, too often denied, to know that we are not alone, that others look and feel and think not like us.

I'm still changing. I'm still identifying my flaws--still discovering them. I only really know that I know nothing....and that representation matters.

Monday, June 9, 2014

Support Literacy and Writing Through These Amazing Programs

There are some amazing things happening online right now, and if you support literacy, you should absolutely check them out.

For those of you who don't know, Kickstarter is a place where people can pitch a project they want to do, and people can pledge money to support the project. If they get enough money to make their goal happen, then they keep the money pledged. If they don't--they don't. It's an all or nothing deal, and there are some amazing Kickstarters going on right now that I want to make sure you all know about!

First up is the North Texas Teen Book Festival. This program is run by people I've worked with in the past (Irving Public Library is one of the best library systems I've had the honor of working with), and they're trying to start a book festival in their area. These are amazing kids who dearly love reading, and I want them to succeed so much.



If you're in the Texas area, they have some amazing perks for people who contribute and can attend the festival--and even if you're not in the area, a $5 donation will help this program get one step closer to giving a large group of wonderful teens a fantastic experience. They're at about 20% of their goal now and they have a month to raise the rest of the funds, but remember: this is all or nothing. If they don't reach their goal at the end of the month, they get nothing and the Teen Book Festival may die.



I'm sure by now that most of you have heard about one of the most famous and successful Kickstarters in support of literacy--the Reading Rainbow Kickstarter. While they already have their initial goal (of a million dollars!), Reading Rainbow is shooting for a higher goal now to bring their program--and a love of reading--to even more children.



I remember Reading Rainbow fondly from when I was a child. The thing that always stood out to me was the children's book reviews of books. It wasn't an adult talking down to me to tell me to read a book; it was a kid my age excited about a book, and that made me excited, too. Reading Rainbow really is one of those programs that I truly believe helps children love to read, and if you agree, consider supporting the program and helping them help a new generation of kids.



It's not all about money, though. There's a new program launched on Tumblr called We Need Diverse Books, and they've just launched a summer reading program that compares diverse titles to popular books to encourage more people to try something new. You can read more about the program here, but definitely consider following their tumblr as well as you don't miss out on a single new title!


And finally, one for fun--it's not about literacy, but it IS about writing, and I can't help myself. If you follow my Twitter, you'll know that for the last few days I've been tweeting about an amazing keyboard. It is basically my dream keyboard--it looks and feels and sounds like an old typewriter, but it works with computers. Here, see for yourself:



The only problem? This keyboard doesn't exist yet. It's a part of a Kickstarter campaign to manufacture the keyboards, and it's only at 20% of its goal. So tell your writer friends! The board is pricey, but it looks like it'll be amazing, and I really hope they get made! You can read more about the project here. And to watch it in action--including some of that sweet, sweet clacky-keys reminiscent of typewriters, click here.

Wednesday, May 28, 2014

Tell Me What You Want (What You Really, Really Want)

Ugh, I apologize in advance for putting that song in your head, but I guess everyone's day isn't complete without a Spice Girls earworm.

If you're on Twitter and follow publishing people at all, you'll notice that just about everyone and their mother is going to BEA--Book Expo America, the largest publishing trade show in America and one of the biggest book events in the world.

And I am super jealous of everyone who's going.

See, I've always wanted to go to BEA. Even before I was published, I wanted to go as a fangirl, but couldn't afford it. Now that I am published, I've wanted to go as an author, but the timing of my books' releases haven't been good for it.

Segue!

I have a book that is very close to my heart, and that I want to make it out into the world. I've been writing and revising it between my other contracted books (I started working on it before I finished Shades of Earth), so it's been slower that normal, but I really love this book.

I recently saw a dress on ModCloth that was perfect for this book. This one. Everything about it--words, pens, birds--was perfect for this book of my heart. The one that I'm currently revising--again--and hope, hope, hope that it sells.

Which means it's not sold yet.

And I've been doing this long enough to know that it might not sell at all.

But...I could see myself holding a launch party for that book wearing that dress. When I shut my eyes, I imagined how it would be to sign a book in that dress, and have the reader notice the tiny details in the cloth and realize that the dress really was that perfect.

But...I hadn't sold the book yet. I shouldn't buy that expensive of a dress for an imaginary launch party for a book that had not sold yet.  It was sort of ridiculous.

I bought it anyway.

I decided that I needed that dress. I needed to believe that I would have this launch party, that it would happen for me, for the book. I needed to believe that one day I would wear that dress and a reader would notice the details and connect them to this book. That a reader would read the book.

That's why I bought it. For the chance of this dream coming true.

It's hanging in my closet now. I'm not going to wear yet. But I will. One day. Hopefully soon. I will iron the wrinkles out, and I will whisper to the cloth, "I told you so."

Seeing everyone tweeting about BEA right now of course makes me a little jealous. That's a dream I would like to fulfill, one that probably won't happen any time soon. But rather than stew in my own envious green juices, I decide what I'd do is make a list of things that I hope will one day happen. I don't want to seem ungrateful! My biggest dream--to have a book published--has already come true, and with it, so many other dreams that I hardly believed possible--listing, reviews in Kirkus and PW, seeing the book on a shelf, being asked to sign, getting fan mail and fan art. That stuff is amazing and I wouldn't trade it for the world. If nothing else happens, those memories will forever be a part of my happiest place.

But I also think it's important to think about what else you want--to strive for something more, to never quite reach the star in the distance. So here's my list of pie-in-the-sky dreams, the things I desperately wish would happen:

My Wish List

Attend BEA as an author: I've just talked about this one, but it's one I definitely want. BEA has been this glimmering dream of mine, and I really want to walk into the Javits Center as an author and do a signing or a panel. Other events that I really want to go to as an author: Comic Con in San Diego and the Texas Library Association Conference (TLA).

Do a signing in the Philippines: I hear from readers in the Philippines about every other day, and they seem like voraciously avid readers, and I would love to come and meet them! I've never been to that side of the world before, but it seems so awesome. Other countries that I really want to visit for book signings: Germany, Spain, Brazil, and basically everywhere. I love to travel. 

Get a movie (or TV series) made of one of my books: While I'm dreaming big, right? I'd love to see a movie of one of my books. The most asked question I get as an author is, "Why don't you make a movie?" Of course, it's more complicated than that, and even if I sell movie rights, there's a huge chance it won't happen. But still...it's definitely a dream of mine. (And, of course, part of the dream is they make a good movie...)

Merch: This likely would never happen unless a movie is made, but I've always sort of wanted to see some kind of merchandise based on something in my books. A Lego kit of Godspeed? A FunPop vinyl doll? 

...and now I realize that, with the possible exception of the second wish, George RR Martin is living my dreams. I really should just grow out my beard and swap lives with him...

And the biggest one of all: A lifetime career in writing and a legacy of books. This is one that I will never see personally. But...I want to always be writing. This is my dream job, and even now, it's still a dream. And...I'd like it if, long after I'm gone, I have an oeuvre out there in the world, and that far in the future, some kid will pick up a copy of one of my books and enter my world again. This is the closest thing you can get to immortality on Earth. 

Some of these dreams I can control. If I save my money, I can attend BEA or do an international signing on my own. Some authors have even run successful Kickstarters or other campaigns to turn their books into film or launch merch lines. And I will certainly not quit writing as long as I am able. I'll do all I can to give Fate a chance to make these dreams come true.

That's it--those are my current biggest dreams for my profession. What are yours?

Monday, May 26, 2014

Find all the secret symbols hidden in these portraits of Amy & Elder!

As I mentioned in my previous post, I wanted to find an artist who could make a Mucha-style portrait of my characters. First, I just really love that style--but second, I think it lends itself to discovering characters in a particularly wonderful way. See, every little detail in a Mucha portrait is symbolic, and when we're talking about characters, a Mucha-style portrait of one will show hidden meanings.

I'm so happy that Christine Tyler was able to capture Amy and Elder so perfectly! And within each image, there is so much hidden meaning. Take a look for yourself, and see if you can see all the symbols within each image. Answers below!

Ladies first...what symbols can you see in Amy's portrait?

Click for an even larger image!

And now for Elder--do you see all the symbols?

Click image to embiggen!
Ready? Think you see all the secret symbols hidden in the image? I know that even I didn't catch all the amazing details Christine included in the portraits. Check below!

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AMY:
  • The flowers in her hair are amaryllises. In my very first draft of of Across the Universe, Amy's name was short for Amaryllis, and she was frozen with a flower bulb. But that was a touch too complicated for the story, so I cut it.
  • The fish in the corners symbolize Harley's nickname for Amy, Little Fish.
  • The pond in the background of the story is the pond hiding the portal to escape the ship.
  • Amy's background is green to represent phydus, likewise the edges of the circle have little splashes to represent the water laced with phydus.
  • In the icons of the circle around them are snowflakes, to represent how cold and lonely Amy was in cryogenic freezing.
  • Amy's holding a cross, to show her faith.
ELDER:
  • Elder is wearing the Eldest Robe, which in the book is described as having a field on the bottom fading to stars at the top. Christine went a step further and made the stars constellationally correct-- at Elder's right arm is the constellation Orion, and at his left arm is the constellation Scorpius, which chases Orion across the sky and, according to mythology, is Orion's greatest foe. This was such an amazing detail that Christine added on her own, and is just perfect!
  •  In the corner of Elder's image are rabbits, to symbolize the rabbit farms on the ship, which are featured not just in the books but are a key part of the novella, "As They Slip Away."
  • In the edges of the large circle, the image is breaking and shattering. Here's Christine's reasoning, directly from her: "Elder's is breaking/shattering because to me, his biggest moment of change was when the explosion happened on the [Eldest level,] and he had to choose to close the doors off for the great good. He also 'breaks off' from the line of Eldest."
  • And don't forget that in the background of both images are stars, which is the only level of symbolism I consciously added to the story. Stars, much like in Dante's Inferno, equal hope.
  • And on a personal note, I love that Christine took so much care to show Elder's ethnicity, and that he's not white, with features influenced by South Asian and Native American physiology.

There's one more secret to these images, and it's this: these aren't the only things Christine made for me (and you)! I'm still working with my agent and publisher on this, but hopefully you'll see some brand new characters...soon! 

Would you like your very own art cards featuring Christine's art? Well don't go away--I'll be doing a giveaway of more art cards very soon :) 

And again, make sure to check out Christine's work here:

Thursday, May 15, 2014

Amy & Elder, Mucha Style

I adore the artwork on Alphonse Mucha. This art nouveau painter is probably best known for his highly stylized portraits that feature strong lines, symbolic icons, and beautiful colors. 

Amy and Elder's story takes place in the far future--which may make my desire to see them in a Mucha style a bit odd. But I love the juxtaposition of old and new, and the plethora of details that can be contained in one image. 


To create portraits of Amy and Elder, I reached out online to the very talented Christine Tyler. She worked tirelessly to see the vision through to completion, and the results are, simply, breathtakingly beautiful. I am in utter awe of the art Christine made come to life, and cannot say enough how happy I am that these images exist in the world. 


My favorite thing about Mucha's art is the attention to detail, and I knew that Christine wouldn't disappoint in that regard. Every little thing in these images has a deeply symbolic meaning. I'll be doing a post later about her art, and detailing all the brilliant symbols she included. 


But first: as many of you know, I'm currently at the RT Booklovers Convention in New Orleans (click for my full schedule). To celebrate winning the RT 2014 YA Futuristic Book of the Year award for Shades of Earth, I've made art cards of Christine's portrait of Amy and Elder. I have a couple hundred with me--and to get one, all you have to do is find me at one of my panels or at my signing or at the Teen Day Party, and I will give you one!


And to whet your appetite so you can see just how awesome these are, here's what the art cards look like:




I'll be posting more about the art later, as well as sharing the lovely full versions of the prints, but for now, come snag me at RT to get your very own copy of Christine's lovely art! You can find out more about Christine online here: 


Youtube (family and travel): https://www.youtube.com/ctylervision
Blog: http://www.christinetyler.net

Check back here after RT for fuller versions of Amy and Elder. And while I can't reveal everything I've been working on with Christine, I'll simply say that this is only half of the art she's done for me, and we still have two more very special prints to reveal in the (hopefully near) future! 

Tuesday, May 13, 2014

Out Now! Dead Man's Hand: A Weird West Anthology

Note: I'm not really here! I'm still offline, enjoying much-needed time with family. I'm scheduling this from the past. Which means I'm sort of like a time traveller...


I'm thrilled to be a part of Dead Man's Hand: An Anthology of the Weird West, edited by John Joseph Adams. I recently got my copy in the mail and saw so many old favorites in the table of contents...Charles de Lint, Kelley Armstrong, Seanan McGuire. And the anthology has some new authors whose works I simply cannot wait to get into!

My short story is called "The Man with No Heart," and I'm really happy with the way it turned out. Here's some fun facts!


  • The main character is named Ray Malcolm, a nod to Mal Reynolds from Firefly
  • The story visits the Grand Canyon, as well as Flagstaff, Arizona and Native American cliff-dwelling ruins
  • It is heavily influenced by Hopi legends
  • There's a steampunk element without truly being a steampunk story--let's just saw somethings are mechanical that shouldn't be mechanical
  • Spiders!
  • Guns!
  • A saloon girl and bad guy and a white hat!
  • The story was fact-checked by my father, the world's leading expert in all things Wild West
I hope you check this anthology out! If you like Westerns, if you like science fiction, if you like Firefly and heros and twisty stories and battles and the Old West...